• Egg of phoenix

    12 October 2018
    Museum of the cultures of the World




    On October 12, 2018, on the occasion of what is remembered as the day of the discovery of America and in the United States is celebrated as the  Columbus Day, AJ Goldman a Native American artist and Lucia Palmero an Italian performer,  gave life to an artistic action aimed to celebrate a new way of establishing a human contact and a bridge between two worlds.

    The performance develops around the need to make visible the mask that for centuries has been depriving the Native Americans of their identity and which still today through history schoolbooks distorts the historical truths about the character of Columbus, giving a euro centrist perspective of things.

    In this sense, AJ Goldman and Lucia Palmero interpreted their perception of the “mask”, from a Native-American and an Italian point of view.

    During the performance, AJ wore a golden mask of Italian origins to symbolize the close correlation in the collective imagination between the idea of “New World” and “discovery” with the thirst for possession of new resources, of gold and of natural resources.

    Lucia wore a mask that she made using the pages of the schoolbooks related to the discovery of America and that wants to underline how it covers and prevents the wearer’s view. The way it is craft reminds to something like waste paper and the shape of a flag. This mask represents for Lucia the distortion of information by the scholastic system that obscures knowledge rather than illuminating it.



    Before even knowing each other, AJ Goldman and Lucia Palmero were both conducting their own research on the figure of Christopher Columbus respectively from Santa Fe in New Mexico USA and from Ventimiglia, Italy.
    When a mutual friend, having come to know their common research focus, put them in touch, they spent more than a year deepening and exchanging documentation by communicating virtually.

    When it was presented to them the opportunity to share their research at the Museum of World Cultures in Genoa on October 12th, they decided that only at the time of the performance, they would have celebrated their meeting in a special way, by finally looking into their eyes for the first time.

    For this reason, for the five days prior to the performance, despite AJ Goldman had arrived in Italy to prepare the event in advance, they both wore glasses to avoid looking at each other’s face and eyes.


    AJ first walks into the Columbian Hall and sees the statue of the young Columbus, an idolized monument without flaws.
    He sits proudly in front of the statue of the young Columbus, giving life to a living statue of an Indigenous Man with ragged clothes and a gold face because greed has taken over men’s eyes.
    Ask shows resiliency, filling the atmosphere with a more powerful and stronger energy that contrasts with the portrait of a young and innocent Columbus in a stance to depict the opposite of his idolatry…the truth.
    Around him, always in the Colombian Hall of the Castle of Albertis , he is surrounded by photos of Native Americans taken by him where they too are portrayed wearing a mask.

    Lucia stands in front of an antique mirror in the Sala Turca, a sumptuous setting where the Captain of Albertis, builder of the Castle, sailor Captain and great admirer of Columbus, hung his travel and colonial trophies.
    When visitors approach her, she establishes a first contact to then invite them to stand with her in front of a mirror, contemplating themselves as part of a sumptuous colonial setting, blending with the context, blending their reflection with hers wearing a mask.

    At the sound of a gong in the heart of the Castle, AJ stands with dignity and turns to face the statue to nod his head as in to gesture “we are still here”. Lucia walk backwards towards him until they gather in the center of the Castle. 

    Once there, they take off their masks and discover their faces.

    AJ and Lucia look each other in the eyes for the first time

    They shake hands as a sign of covenant and union.

    They stop to look in the eyes of the people present to the action and then, holding each other’s hands, go awayEg


  • Egg of Phoenix